Spirit cloth - Serendipity I is done

I have finished it. I have to admit that I love it.

I have started the next one, haven't taken any pictures yet, but will be back soon with some. I am also experimenting with natural dyes. I have read Eco Colour by India Flint, and there is also a bit about plant dyes in my newest favourite book, Slow Stitch by Claire Wellesly Smith.

These jars contain some alum and spices, like turmeric and paprika, in different combinations. I have also picked some flowers, both wild and garden flowers (asked my landlady for the withered petals from her rose and peonybushes). Put them in the freezer for a few days, then did a few variations, e.g. used some as "tea" (poured hot water over the petals), some I simmered for about an hour before putting in the fabric, some I just put in some warm water and will let them sit for a long time, some I rolled up in a piece of fabric and put them in a ziplock bag... They are outside, theoretically the sun should warm them and help with the process but this is Sweden, we don't see much of the sun. :(

I started a book with records of all the experiments, otherwise it is difficult to remember. I will report here those methods that work. Really curious but have to wait for a while to have some results.

I have also been sewing a lot lately but my sewing machine has been acting up, and this morning it gave up totally. I need to take it to the service. :( Annoying: not only do I have a huge pile of clothes to mend, I wanted to make new curtains, and I am also planning to do some more patchwork. Not to mention the cost of the repair... let's hope it won't be too bad.

Spirit cloth - or where does it become art?

I consider myself very lucky that I could go and do a two-year textile teacher course at Umeå University. I needed the qualification, but I learnt more than what I am using in my job. I feel I managed to unleash some creativity, some freedom, som kind of courage in myself. Not fully, not yet, but I am on my way. :D

Since May, when the course was over, I have been planning to finally have lots of me-time in my crafts. Don't have to do any more homework. I have lots of sewing projects planned, clothes, bags and patchwork, but I was mostly looking forward to get into my most favourite of all crafts: embroidery. Even though I was working with it all this last term.

I have been looking at works, blogs, books by many textile artists and I have been accumulating inspiration. Then quite recently I found the concept of Spirit Cloth and a video course by Jude Hill, and I could wait no longer. I had to try my hand at it. Love the way Jude explains her work process, how she does not stress over things, how she builds up her pieces organically, almost randomly, with lots of improvisation. I thought this might be the right way for me.
I was also looking a lot at Karen Ruane, and Amy Meissner's Inheritance project ( I am even sending her some of my old fabric pieces for the project). I, too, love old fabrics and want to incorporate them in my work, want to give them new life.

So a few days ago I started, as if it was a lesson plan, by sewing three pieces of fabric together, like Jude says, in a landscape format. Then I sewed them on a very thin fabric. And old bit of linen, with the badly frayed edges became the bottom, a colour catcher that came out of the washing machine with this pretty peachy colour, forms the middle. The top part, the greenish-blue piece was originally my ironing cloth, which obtained the colour when I was trying to iron a pile of tie-dyed pieces. (They were done in my school in a science experiment and obviously the colour was not fixed because it all ended up on my iron and on my ironing cloth.)
I was really lucky with these colourful accidents, wasn't I?

After this, I added one element after the other. Old embroidery, doily, selvage from a nice fabric, a machine embroidered gauze fabric, leftover tulle pieces... a bunch of linen (or perhaps hemp) thread... lots of fraying edges... I was improvising. I added some figurative elements, like the birds and the flowers, but other parts are totally abstract. I used couching and applique.

I also added some embroidery stitches to enhance the shapes, but then I stopped myself thinking that I can continue with this when doing the "quilting". This is not going to be a real quilt, but it is three (or more) layers, and the backing fabric needs to be sewn together with the top layers. For backing I chose and old kitchen towel, looks like it might be hand woven. A bit thick, and a bit battered up, but it works well in giving the whole piece some stability.

I started the quilting, but not finished yet. I also started sewing down the "binding" - that is I just folded over the edge of the backing fabric. I left one side unsewn for the time being, in case the layers shift a bit in the quilting process.

You can see the quilting in the back, so far I was echoing the shapes on the front with matching thread - so the back will have different colours. But it's all right because most of them are muted and close to each other. Have I mentioned that I am also using some vintage thread? Bought them in a second-hand shop years ago. They are lovely to sew with, roughly the same thickness as 6-stranded floss, but 4 strands, and each ball is 40 meters. And I had an exact match for the linen and the peach fabric. I wish I had more colours.

I am enjoying the process. This took me about 4 days (not doing this all day, of course) so it is not so slow as one might think, considering it is all done by hand. But I am a bit unsure. My long term dream is to create textile art of my own. But I was reasoning like this: if I am waiting to become an artist before I start making things, it will never happen. It is better to get started, even if I am using methods learnt from others, even if I am not all that very original in my theme (like birds flying in the blue sky :P ) and just keep going. Sooner or later perhaps I will develop my own style, my own technique, my own little textile world.

This is the question that perplexes me. When does a piece of work become art? When does it become all mine - even if I am using motifs, like birds and flowers, that others also do? Will I know? Or is the doubt always part of it?

Anyway, I am going to be bold and name the piece. A piece of art (original or not, good or not) should have a title. So this is going to be Serendipity I. (The number indicates that there are more coming.)

If anyone has the answer to my questions, please don't hesitate to share :D

Happy stitching, everyone.

Variations - or how to create embroidery patterns.

I had a homework assignment for university: to create a 3-minute videofilm, that is connected to my topic (trees) and my chosen craft (embroidery). So I came up with this idea: you take a very simple motif, like a tree, and draw a really simple line drawing. It dies not have to be anything pretty, you don´t need to be able to draw. Really. Believe me :)

You can then embroider this with different stitches, and then try to do different variations. A tree, or any other object from nature is good to start with because there is no need to be accurate, symmetrical, there is no correct or incorrect shape. Feel free to improvise, experiment, try out different stitches, different colours, materials - go wild!

Here is the little film I made (not very good, but I think you get the gist - and then this was my first film!). Then you can see the photos of the embroidered pieces I made for the film.

And then there comes some more variations of the cross stitched version. You will see that I did not really pay much attention where I put the apples/leaves/flowers on the tree. You can follow the pattern, but you can just make your own version and stitch them randomly.

I hope you will really enjoy the creating process. Please, post here if you stitch something based on this idea, I would love to see them.

Blackwork biscornu pattern

Hello, stitchy friends,

Finally spring has arrived to this part of Sweden. It has been a long wait.

I am enjoying the Easter holidays. Working on my university assignments, challenging myself with embroidery techniques, using as my starting point or inspiration some photos I took of trees.

I was playing with making pattern from photos of tree trunks, learning smocking, breaking the rules, e.g. pulling the fabric together with my stitches on purpose, using a black on white printed fabric as a "colouring sheet" etc. I also bought the book Wool stitch by Yumiko Higuchi and stitching some of the patterns from it. To be honest, I am not sure where I am going with all this, I am just trying out things and playing with needle and thread. We will see.

And I also have something to share with you.

I have made a tiny blackwork pattern the other day. It started as a doodle, turned out to be something like a lily but not really on purpose. :D It is really small and dense, and I also added French knots.

I stitched it quickly, this is how it looks:

Today I drew it in my cross stitch program and started playing with it. You know, rotating, adding other small motifs etc. I really love this part when out of something small one can create a much bigger pattern. Anyway, at the end it became a biscornu, the way I usually make them: with one side more dominant than the other.

Click on the picture to get the pdf pattern.*

I did not draw the french knots, but if you want to add them, here is a drawing that shows where I stitched them. But feel free to add them wherever you want, or you can also try beads.

I used some leftover yellow thread for the stitching so I don't know what shade it is. But I drew it in red because it is easier to see. Use your favourite colour, or try a variegated thread.

I hope someone will like it and enjoy stitching it.


*I have to apologise for the pdf. The new version of MacStitch puts all the threads on a list, even those not in use. Make sure you only print out the pages you need - until I figure out how to solve this.

Christmas stitching 1

Perhaps you could guess from the pictures in my previous post: I was again selling some of my things at the Christmas market. I went to Vattholma julmarknad, this is near where we live, about 20 km from Uppsala, and also to Hågaby - this is in town. They went OK, not too good but better than lat year. I had to realise, again, that you cannot really make profit on needlework. At least I got back the cost of the material.

After the two big markets, I also did small ones in the staff room of my school, and at my boyfriend´s workplace. All the money from those I sent to a charity, and that felt really good.


So here are some of the things I made.

You may remember from the last two years that I love making small embroidered felt ornaments.

I made the usual read and white ones. Forgot to take a good picture of them, and now only have a few left, not the most beautiful ones. They looked like these, but there were different shapes, hearts and stars, decorated with applique, embroidery and beads.

Here is a detail from the above picture on the market, not a really good one but perhaps you can see the variety.

But my favourites were these white ornaments, embroidered with gold metallic thread. Unfortunately they were not as popular a the red-white combination. (Swedish people are quite traditional when it comes to their Christmas decorations.)

This time I also tried making some cross stitched ornaments. It was simply that I missed cross stitch, I didn´t stitch so much lately with all the university assignments. It was fun to stitch them - but did not sell many. I still have a lot of them left.

The ones with the red felt around them were not so easy to make: the felt stretched out of shape a little. Perhaps I should have starched it a bit before cutting.

I also made some felted ball ornaments. They are actually recycling: we make them at school, during the felting unit, and kids often leave them behind if they do not turn out as they expected. So I collected them, worked on them a bit more to make them fully felted, then dyed them in kool-aid. :) Then added some embroidery and beads.

And this year again I made the little walnut-babies. I love them, they have such a great feeling to them, old-fashioned, natural, cute... They speak of Christmas to me.

I wrote about how to make them here. This time I embroidered the star in the middle instead of glueing.



And finally, a few pictures about my embroideries that I made in the summer with flowers and grass. In case you have been wondering how they turned out after 5 months.
They still look quite good. The two flower-pieces haven´t changed at all, the grass has dried but still looks OK. They hang here above my sewing machine, I love looking at them.

Next time I will be coming back with describing my recycling Christmas projects. Watch this place.

Until then, happy stitching.

Agi

Another experiment - "temporary embroidery"

I have been playing around with embroidery and nature again. This time I tried to use flowers, leaves and grasses instead of thread in my embroidery. To make things easier, I chose a loosely woven evenwave fabric, and pulled out some threads.

Then I collected some grass and some flowers, just in front of the house. I wove them in in the places where the threads were pulled out, but I found that some of the thiner ones can go in other places too, they could be pulled between the threads of the fabric.

Here is the result.

I am not sure this will look as nice as the previous experiments after a while. The flowers started to bend their heads even as I was working with them.
But I like it so. Part of natures beauty is, I think, that we know it is fleeting, it is there now, but does not stay the same for long. This temporary, or ephemeral embroidery pays homage to this feature of nature.
But even if my embroidery loses its beauty, the photos will keep it forever. I just wish I could take better ones.

Also, embroidering with plants, and preserving them in a photo, could be a nice way of recording the variety of nature in different seasons, or as we travel.